How To Integrate High Dynamic Range Into Existing Video Production And Distribution
Programmers, producers, and commercial clients who ignore the accompanying demand for HDR content do so at their own peril. High dynamic range and wide color gamut are the twin foundational pillars to creating better pixels and delivering true-to-life-looking video. This paper discusses the various High Dynamic Range formats in use today and how producers can integrate HDR into the production and distribution of their programming.
AJA in collaboration with TV Technology has produced this white paper to look at HDR and its impact on Workflow.
In this white paper, you will learn:
- Why HDR and WCG are so important to the perceived image quality of video
- Differences between HDR systems like HLG, HDR10, HDR10+ and Dolby Vision
- Role of conversion in hybrid HDR-Standard-Dynamic-Range production workflows
- How two OB companies today are integrating HDR into their productions